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Place-Names Silkscreen Show 2024

This project was generously funded by the First People Cultural Council

In the Winter of 2025, Andrea, inspired by her peoples ingenious way of navigating, created a set of nine silkscreen prints depicting place names found in her people’s Coast Salish territory.

The Coast Salish peoples have navigated the waters of the Salish sea for thousands of years. In our massive, skillfully crafted wooden canoes, we would paddle between different resource locations, our home village and other friendly villages in our territory. To navigate the complex waters of the Salish sea and all of its islands and narrow water ways, we would create place names for navigation markers. We would also create place names for the resource locations that our people would use and maintain. Finally, and most importantly, we would create stories around important locations to help us remember but also to help teach our children. Our stories are always fantastical, engaging and routed in lived experiences. They are meant to teach the intangible experiences that our young people may one day face to help them prepare for life. Experiences like asking for help, or which waters are dangerous to navigate, or which people are our friends and family. With all this in mind you can better understand the names and art that I created for the nine place names in my new silkscreen series.

Lyackson Creation – Tl’uqtinus (Long beach/chest) – Q’apthut Ts’its’uwatul'(Gathering people together to support each other) – Punelexutth'(Burried on the beach) – Hwaaqw’um(Place of cow parsnip) – Sqw’uxw(Cliffs, on Lyackson island) – T’wwt’qe(Place of salal) – Hwmet’utsum i’kw’ Sheshuq’um(Bent over place and wide open mouth)

Most of these place names are in Hul’q’umi’num’, the language of my people. They name a place based on the look of the location so it is easy to use as a navigation point while paddling. Two of the locations are based on old stories told by our people as a form of teaching and entertainment. What follows is a detailed description of each silkscreen piece. Each piece is a limited edition, hand created, silkscreen print, and area available for purchase on my website.

Andrea was lucky enough to show her work in the Eve Smart Gallery. Named for the female founder of the Gallery. Read about her here.

Eve Smart Gallery, founder and inspiring woman.
Lyackson Creation silkscreen print
Tl’uqtinus (Long beach/chest)
Q’apthut Ts’its’uwatul'(Gathering people together to support each other)
Punelexutth'(Burried on the beach)
Hwaaqw’um(Place of cow parsnip)
Sqw’uxw(Cliffs, on Lyackson island)
T’wwt’qe(Place of salal)
Hwmet’utsum i’kw’ Sheshuq’um(Bent over place and wide open mouth)

In the creation of these prints, Andrea learned more about her favourite art form, silkscreen printing from the lovely people at Watchiay Studio. Through Andrea’s grant funding from the First People’s Cultural council, Andrea was able to participate in a three day one-on-one immersive course at their well equipped Courney printing studio. During this course, Andrea learned to use Adobe Illustrator to set up her print file for printing on transparencies for the transfer to the actual silkscreens on with which she would print. The piece she worked on at the Watchiay studio was her Lyackson Creation. This print included five colours, each on their own screen and printed separately. The colours were alined and pulled by hand to create this limited edition of 50 prints.

Andrea then spent month creating eight more detailed pieces of artwork. Her work started with sketches on paper that she then transferred to illustrator on her computer. She used her graphic art skills to refine her work and set it up for printing on transparencies. The transparencies are then ‘burned’ onto silkscreen frames using UV light to create a stencil. Each colour is lined-up and printed separately to create the final designs.

Andrea’s work was on display for a month at the friendly and beautifully unique GPAG, Gibson’s Public Art Gallery. for the month of December, 2025.

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Live-Edge Wood Paintings Project 2022

This project is generously funded by the First Peoples Cultural Council.

Sunrise, acrylic painting on live-edge wood.

Here you can see a prototype piece that I created. I created this to showcase my live edge concept. The wood spoke to me, suggesting that I create something rising from the bottom, something bright and light like the wood. I decided on a sunrise and went to drawing a sun within an outline of the live edge wood piece. This old piece of wood grew for years in our forests. Every year surviving to make another ring, Everyday using the sun to grow bigger. How many sunrises had it seen before it found its way to me? All the rings and character inside of it waiting to shine. I love working with live edge wood in a similar way to how my ancestors used it.

I plan to replicate this process using larger pieces of live-edge wood. I hope to find pieces of sustainably and responsibly sourced local wood. I am looking forward to working with Gary Oak, Cedar, Yew wood and other indigenous species. I plan to incorporate all my art skills into this project including, acrylic painting, acrylic pouring, knitting, weaving and carving. Even though I don’t expect to use all of my skills to create my final pieces I truly am looking forward to focusing on doing some basic artistic creating.

UPDATE: Live edge wood paintings – Arts alive 2023 Oakbay, Victoria

Andrea was lucky enough to be accepted into the Arts Alive 2023 show in Oakbay, BC. This exhibit lasted one year and showcased several outdoor sculptures from various artists. Andrea’s ‘Natural Connections’ piece was included in this show and featured four live edge wood paintings. Each of the four paintings depicted a different wood based eco-system including: Garry Oak, Pacific Yew, Douglas Fir, and Maple. The art was erected on a wooden base to make them appear like one large tree representing our shared ecosystems.

Andrea Fritz excitedly loading her wood sculpture onto a trailer, ready for instilation.
Andrea supervises the installation of her sculpture by the wonderful Oakbay staff.

The medium of acrylic on live edge wood was new to Andrea and she truly enjoyed creating using it. She would not of been able to follow this opportunity of creating using live-edge local wood without the financial support of the First People’s Cultural Council. Huychq’u to them for the artist grant funding. The final pieces are being restored and resealed after a year in the elements. A final display location is being selected for these pieces.

Huy tseepq’u for following along with this project.

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Sir James Douglas Mural Project 2020

I’d sometimes stare at a blank space on the Sir James Douglas (SJD) building while waiting to pick up my daughter after kindergarten. We were usually excited to see each other, much like the other students at SJD were excited when I’d visit their classrooms over the following years to share my knowledge of Coast Salish art. By the time my daughter was in second grade, I had an idea to create a mural in that blank space. Part of the idea was to allow the students and community to have a personal connection to the mural and the culture behind it.

With permission of SJD, I created a lesson plan that involved the mural  project. To encourage connection with the mural I wanted the students to know the subject well through a traditional oral story. I told three Coast Salish stories to the students during multiple classroom visits and incorporated related art projects to the lessons. The students became invested in the project over the following weeks.

Another level of involvement was added by allowing the students to pick the subject matter of the mural. Students voted for the story to which they felt the most connection. The stories were: Smuy, Spaal and the Red Snow, Raven Steals the Light and Sthuqi and Tumus.

After the in-classroom portion of the project was complete, I created a substate on which to paint the mural. I chose a house front as Coast Salish houses were featured in the stories. I built the left side of a Coast Salish house front, containing a visible roof edge and door, from cedar planks. Construction took place at SJD while the students came to vote. I talked more with the students about Coast Salish plank houses, oral traditions and the purpose of the art during their voting visits. They were also encouraged to colour Coast Salish art and ask questions.

After the votes were counted and the result revealed to the school, I was able to start painting. The winning story was Smuy, Spaal and the Red Snow. For the painting process, I put down a white gesso base layer to help the red stand out and then applied layers of colour. The painting was done outside in the beautiful BC spring weather. Painting was finished in May of 2021, and the mural is planned to be installed on the school in the fall of 2021.

Videos of the mural process and winning story will be made available as a part of the unveiling ceremony so the whole community can feel connected to the mural.

View of the mural on a rainy day installed on South wall of Sir James Douglas school

Huy’sep’qu (thank you to each and every one) of the students and staff of SJD elementary for being so welcoming and enthusiastic about this project.

Andrea